A brave broadcast journalist warns of widespread nationalistic propaganda on television news in this powerful indictment of the sorry state of media and hate politics in India.
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A brave broadcast journalist warns of widespread nationalistic propaganda on television news in this powerful indictment of the sorry state of media and hate politics in India.
One of Ozu’s most accomplished silent efforts, this love story of jealousy and guilt set in the milieu of a small-time crook displays a mastery of visual storytelling.
Cote makes the monotony of industrial labour poetic and hypnotic in this decent documentary exploration of what ‘work’ and ‘working’ means to the blue-collar fraternity.
Soderbergh flaunts his technical ability in this rather mainstream endeavor, but style over substance makes the film far from the best of its genre.
A man falls in love with the portrait of a lady but refuses to be romantically involved with the real person in this incredibly gorgeous Turkish film, though it does rely too much on repetition and fatalism to work.
It does make some attempt in drawing out a poignant story about grief and loss, with Letitia Wright particularly impressive, but this sequel doesn’t quite scale the heights of the first movie’s creative spirit, or share its tautness.
A promising and polished debut feature, this Singapore-Korean co-production has earnestness in abundance even if the storytelling doesn’t quite offer anything markedly revelatory.
The director’s cut does sometimes feel its length, but otherwise this is a solid biopic by Stanley Kwan about one of the most eminent Chinese actresses from early 20th century, played by a stunning Maggie Cheung.
Under Petzold’s assured hands, this modern interpretation of the Undine myth mostly works and benefits most from the sublime performances of Paula Beer and Franz Rogowski.
A striking and unconventional film it may be, but Cote doesn’t seem to know what he wants to say with this story of two lesbian ex-convicts futilely hoping for a peaceful life in the woods.