Continue reading →One of the European discoveries of 2018, Ali Abbasi’s second feature is assured filmmaking that is fascinating and unsettling in equal measure.
Continue reading →One of the European discoveries of 2018, Ali Abbasi’s second feature is assured filmmaking that is fascinating and unsettling in equal measure.
Continue reading →One of Marvel’s weaker efforts to date—it is neither consistently compelling nor has the gravitas of a solidly-mounted studio movie, though it should at least mildly please fans.
Continue reading →Schnabel’s latest is about capturing the psychological essence of Van Gogh’s ingenuity/insanity – it may take a while to get into some kind of momentum, but Willem Dafoe’s fascinating performance helps it through its less than invigorating portions.
![]()
Julian Schnabel’s work here is sublime and powerful, so is his lead actor Mathieu Amalric in one of 2007’s finest performances.
Continue reading →Charting a woman’s dour domestic life as a mother in early 20th century Sweden, and whose artistic awakening comes in the form of a camera, Troell’s late-career triumph is a layered, exquisite delight.
Continue reading →Jan Troell’s naturalistic if poetic debut feature may have been well-regarded in Swedish cinema, but it is difficult to be absorbed by a work that is too meandering and elliptical for its own good.
Continue reading →A ‘historical epic’ about a Swedish family emigrating to the States, told unhurriedly in the most intimate and natural of ways.
Continue reading →A great follow-up to “Marius”—hilarious, dramatic and features superb performances.
Continue reading →An uncompromising adaptation of a beloved tale where Imamura manages to find moments of poetry amid the brutality, carnal desires and existential torment.
![]()
A return to form of sorts for Jonathan Demme, who directs one of Anne Hathaway’s finest performances.