Continue reading →Jarmusch’s understated film about a bus-driving poet is both a charming and tranquil experience.
Continue reading →Jarmusch’s understated film about a bus-driving poet is both a charming and tranquil experience.
Continue reading →Jim Jarmusch’s third feature is difficult to pigeonhole, in what is a stylishly shot piece that works as an offbeat if poetic comedy.
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This seemingly saccharine drama about a blossoming romance between two strangers plunges headlong into an unexpected, but satisfying direction.
Continue reading →A black-and-white samurai-cum-ghost movie with a thin storyline but effective in its consistent capture of an eerie if alluring visual tone.
Continue reading →Difficult to connect emotionally, though it features a technical masterclass in a nearly hour-long 3D sequence-shot that must be experienced on the big screen.
Continue reading →Qu’s second feature is a decent follow-up to ‘Trap Street’ in what is a bleak sociopolitical indictment of the treatment of women in modern society.
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A violent climactic showdown between cops and drug dealers redeems this part-intriguing, part-draggy work by Johnnie To.
Continue reading →A film of two halves – the first uninteresting, and the second intriguing in this flawed Johnnie To drama.
Continue reading →One of the greatest achievements in documentary filmmaking and it is in the medium of animation.
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There’s not much action in this, but To develops a mostly engrossing triad flick about infighting and power plays.