Continue reading →Difficult to connect emotionally, though it features a technical masterclass in a nearly hour-long 3D sequence-shot that must be experienced on the big screen.
Continue reading →Difficult to connect emotionally, though it features a technical masterclass in a nearly hour-long 3D sequence-shot that must be experienced on the big screen.
Continue reading →Qu’s second feature is a decent follow-up to ‘Trap Street’ in what is a bleak sociopolitical indictment of the treatment of women in modern society.
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A violent climactic showdown between cops and drug dealers redeems this part-intriguing, part-draggy work by Johnnie To.
Continue reading →A film of two halves – the first uninteresting, and the second intriguing in this flawed Johnnie To drama.
Continue reading →One of the greatest achievements in documentary filmmaking and it is in the medium of animation.
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There’s not much action in this, but To develops a mostly engrossing triad flick about infighting and power plays.
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One of the greatest modern transgressive American films ever made, directed by Todd Solondz with remarkable sensitivity and total control of tonal shifts.
Since last year, I have given out imaginary awards to the films I love most or hold in high regard for the year.
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More of what we have come to expect from Johnnie To operating in the crime-thriller territory, but now with a French lead in tow.
Continue reading →A slow and thematically dense drama about forgiving, forgetting, and remembering, backed by a decent ensemble performance.