A return to sterling form for Spike Lee, this is one of the year’s most powerful films, and it’s very funny too.
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A return to sterling form for Spike Lee, this is one of the year’s most powerful films, and it’s very funny too.
Spike Lee’s remake of Park Chan-wook’s twisted masterpiece starts off lethargically, but grows in confidence with its material, though it is still many miles away from the standard of the South Korean original.
A disappointment by Tibet’s standout filmmaker, whose beautifully-shot picture is a cautionary tale of packing too many themes into one story and losing grasp of its tone.
A zany installment in the ‘Thor’ franchise that is the closest Marvel has come to making a pure fantasy-comedy.
A fun and quirky out-in-the-wilderness movie with delightful all-round performances.
There’s ample spectacle on display, but barely sufficient characterisation to make us feel anything for the ragtag group of protagonists.
One of the 2019’s most powerful films, this confident feature debut by Ladj Ly serves a potent wallop of social injustices and street-level rage.
It may have a wafer-thin storyline, but there’s no shortage of action in this mildly entertaining final instalment.
It’s back, big time – a satisfying continuation of possibly popular cinema’s greatest saga.
The geek-god is back with a rousing sci-fi action-adventure that is in for a strong shout as one of this summer’s most satisfying offerings.