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Eternality Tan

Hailing from Singapore & writing about cinema since 2007

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Featured

Last Metro, The (1980)

June 1, 2026 by Eternality Tan

Blade, The (1995)

May 26, 2026 by Eternality Tan

Exploring #23: Mike De Leon

May 24, 2026May 24, 2026 by Eternality Tan

How to Divorce During the War (2026)

May 22, 2026May 22, 2026 by Eternality Tan

Useful Ghost, A (2025)

May 16, 2026May 16, 2026 by Eternality Tan

Citizen Kane (1941)

May 11, 2026 by Eternality Tan

Everybody to Kenmure Street (2026)

May 6, 2026May 6, 2026 by Eternality Tan

Eyes Without a Face (1960)

May 1, 2026May 1, 2026 by Eternality Tan

April (2024)

April 27, 2026 by Eternality Tan

Exploring #22: Piotr Szulkin

April 26, 2026 by Eternality Tan

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Tag / Pema Tseden

September 21, 2024September 21, 2024 by Eternality Tan

Snow Leopard (2023)

  • Tseden, Pema
  • 2023, Pema Tseden, Tibet
  • Leave a comment

The death of nine sheep at the jaws of a snow leopard incurs the wrath of a sheepherder in Tseden’s occasionally farcical take on small-town moralities as the ideals of ‘law’ and ‘justice’ are challenged. 

⭐⭐⭐⭐

Rating: 3.5 out of 5.

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September 3, 2024 by Eternality Tan

Tharlo (2015)

  • Tseden, Pema
  • 2015, Pema Tseden, Tibet
  • 2 Comments

Stunningly shot in black-and-white, Tseden shows immaculate control over his long take, slow cinema-style as a Tibetan sheep herder becomes stuck in a Kafka-esque scenario making his identity card, but an encounter with a hairdresser suggests the possibility of a new life. 

⭐⭐⭐⭐

Rating: 4 out of 5.

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December 24, 2019September 3, 2024 by Eternality Tan

Balloon (2019)

  • Tseden, Pema
  • 2019, Pema Tseden, Tibet
  • 3 Comments

A disappointment by Tibet’s standout filmmaker, whose beautifully-shot picture is a cautionary tale of packing too many themes into one story and losing grasp of its tone.

⭐⭐⭐

Rating: 2.5 out of 5.

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October 8, 2019May 10, 2024 by Eternality Tan

Jinpa (2018)

  • Tseden, Pema
  • 2018, Pema Tseden, Tibet
  • 2 Comments

⭐⭐⭐⭐

Rating: 3.5 out of 5.

Tibetan filmmaker Pema Tseden explores karmic guilt and moral redemption in this slow but compelling arthouse work.

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