A decent tribute to the wide-eyed wonderment of 1970s sci-fi cinema, but it is not without its issues in storytelling.
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A decent tribute to the wide-eyed wonderment of 1970s sci-fi cinema, but it is not without its issues in storytelling.
Shot in the most remote school in the world, this modest Bhutanese gem keeps its story simple and life-affirming.
Backed by an effective if nuanced performance by the great Isabelle Huppert, this drama says quite a fair bit about how contemplation and self-reflection might help us to accept the curveballs that life throws at us.
At times exasperating or perplexing, but Imamura’s sly and unorthodox attempt at blurring the lines between fiction and fact ultimately says something about the artifice of cinema when its subjects have nothing more to say.
J.J. Abrams makes a complete transition from television director to blockbuster filmmaker with this stunning ‘Star Trek’ remake.
A tad cliche in its storytelling, but it remains a respectable action film by a promising director.
Polished, precise and beautifully-shot in black-and-white, but its cold and austere treatment can be a long, alienating slog.
This survivalist tale balances its raw, primitive edge with a stylish and contemporary visual style, but like a fever dream, it is intense but also unfocused.
A tonal elegy in docu-fiction form where Pedro Costa shows why he is a master of chiaroscuros, even if his film remains austere and challenging even for the arthouse film buff.