Tales of lust and love are intertwined with Pasolini’s astonishing location shooting in this weird concoction of a film that runs a bit too long.
Continue reading →
Arabian Nights (1974)
Continue reading →
Tag / 1974
Continue reading →
Godfather Part II, The (1974)
Coppola’s follow-up is even more ambitious in terms of narrative structure as he seamlessly explores themes of power, family and betrayal across time in one of cinema’s most astonishing sequels.
Continue reading →
Parade (1974)
Tati’s swansong is a delightful circus act (and quite literally, and dazzlingly so) as he implicates artists, entertainers and audience members alike in the performative.
Continue reading →
Ankur (1974)
Shyam Benegal’s highly influential first feature sees actress Shabana Azmi bursting into the limelight in this anguishing tale about the injustices of India’s caste system and gender subjugation.
Continue reading →
Conversation, The (1974)
Traveler, The (1974)
A neorealist-inspired first feature by Kiarostami, charting his path to become one of cinema’s foremost chroniclers of the human condition.
Continue reading →
Chinatown (1974)
Polanski’s greatest accomplishment, and one of the finest American films ever made from the ’70s.
Continue reading →
Lone Wolf and Cub: White Heaven in Hell (1974)
It may have a wafer-thin storyline, but there’s no shortage of action in this mildly entertaining final instalment.
Continue reading →
Effi Briest (1974)
Polished, precise and beautifully-shot in black-and-white, but its cold and austere treatment can be a long, alienating slog.
Continue reading →
Ali: Fear Eats the Soul (1974)
Continue reading →This Sirkian-influenced interracial romance-drama by Fassbinder is emotionally resonant and unexpectedly timely in today’s cross-cultural yet xenophobic societies.
