Tati’s international breakthrough is his most optimistic film in what is a purely-conceived characterisation of the inimitable Mr. Hulot. 

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This late career work by French comic master Jacques Tati has uncharacteristic pacing problems, though if you like automobiles, it is a charming snapshot of cars and trucks of the early 1970s.

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The great Jacques Tati delivers outrageously inventive comedy visual gags in some of the most elaborate mise-en-scene committed to film.

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The first colour film of Tati is a remarkable and satirical slapstick comedy, acting as a bridge between the doldrums of mechanized modernity and the earthly charms of the old-world.  

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Tati’s debut feature is a charming little piece about a postman in a countryside town, filled with the kind of visual gags and physical humour that would define his future works.

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