Has no real narrative impetus and mistakes a laidback filmmaking style for meaning-making, this modern ‘Ganja and Hess’ remake by Spike Lee is a turn-off.

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A return to sterling form for Spike Lee, this is one of the year’s most powerful films, and it’s very funny too.

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Spike Lee’s remake of Park Chan-wook’s twisted masterpiece starts off lethargically, but grows in confidence with its material, though it is still many miles away from the standard of the South Korean original.

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