Continue reading →Kubrick’s final film is a calculated psychosexual trip filled with paranoia, moral depravity and sexual fantasies and excesses.
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Barry Lyndon (1975)
Continue reading →Kubrick’s understated and underrated costume-drama is, to me, his greatest accomplishment, and possibly the most beautiful period film ever made.
Clockwork Orange, A (1971)
Continue reading →Kubrick’s dystopian masterpiece frustrates, angers, provokes, and ultimately floors you in ways unlike that of other great films.
2001: A Space Odyssey (1968)
Continue reading →Kubrick’s most influential film still remains way ahead of its time and is arguably the greatest sci-fi film ever made.
For Sama (2019)
Continue reading →As personal and harrowing a documentary can be, this powerful and heart-wrenching work captures a mother’s ‘video diary’ of the daily struggles in Aleppo, Syria, as the brutal 2016 siege by the Assad regime drew frighteningly near.
In Fabric (2018)
Continue reading →A clever take on the psychological-horror genre where the most sinister thing is a piece of cloth, but it is not tight enough to truly enthrall.
Only Lovers Left Alive (2013)
Continue reading →This ‘anti-vampire’ movie sees Jarmusch bring his idiosyncratic style to the well-worn genre in refreshing and poetic ways.
Jane Eyre (2011)
Continue reading →Fukunaga’s second feature is a gloomy and brooding adaptation of the famous Charlotte Bronte novel.
Equus (1977)
Some extraordinary performances are on show in this contentious if compelling psychological drama about passions and desires at the crossroads of religion and sex.
Spectre (2015)
Continue reading →Packed with action, but feels overdrawn and coming across as rote, this latest Bond flick serves up a familiar if disappointing fare.
Eternality Tan 