Continue reading →Mendes focuses on drama, character, and nostalgia in this confidently-mounted Bond film that is also arguably one of the most beautifully shot (by Roger Deakins, no less) in the entire history of the franchise.
Continue reading →Mendes focuses on drama, character, and nostalgia in this confidently-mounted Bond film that is also arguably one of the most beautifully shot (by Roger Deakins, no less) in the entire history of the franchise.
![]()
Theologically offensive on almost every level, but its wildly provocative (and hilarious) scenarios have a disarming charm to them in this excellent religious satire.
![]()
The film that started it all, in this brilliant absurd brand of comedy and satire.
Continue reading →Blessed with an exceptional performance by Emily Watson, von Trier’s complex if disturbing take on religion and sex asks of us to have faith in his vision.
![]()
Arguably the most riveting, suspenseful and emotional thriller of the 2000s decade, one that you already know the ending to.
Continue reading →By turns visually ravishing and psychologically perverse, this salacious and morbidly hilarious period drama strangely doesn’t quite amount to anything significant.
Continue reading →Absurdist cinema taken to the extreme, Greek provocateur Yorgos Lanthimos delivers a harrowing work that is clinical in execution in more ways than one.
Continue reading →Bizarre is the word from the latest by Lanthimos, whose uneven English-language debut intrigues and wanes in what is a morbid if deadpan comedy about loneliness and companionship.
Continue reading →A different kind of measured, mainstream sci-fi that is almost like its thematic preoccupation—that of mutability where there is just enough change to enthrall and thrills to excite.