This sixth installment benefits from the wild, manic energy sustained by relatively new director Kazuo Ikehiro.
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Zatoichi and the Chest of Gold (1964)
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Category / Criterion Collection
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Dead Man (1995)
A stylish revisionist anti-Western masterpiece by Jim Jarmusch that is both surreal, spiritual and poetic, backed by a stunning improvised โliveโ score by Neil Young.
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State of Siege (1972)
Costa-Gavras sets his sights on Latin America in this superbly-constructed political-thriller that raises questions about the United Statesโ complicit involvement in counterinsurgency, torture and violence.
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Home and the World, The (1984)
Rayโs third adaptation of Rabindranath Tagoreโs work late on in his career is a quietly-composed and deliberately-paced tale about the intertwining of domestic and national affairs.
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Au revoir les enfants (1987)
One of Malle’s finest works, this restrained drama builds up slowly, only to leave you emotionally shattered by the end of it.
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Zatoichi on the Road (1963)
It does feel overly-plotted, but this fifth โZatoichiโ installment builds up to an all-out street gang war.
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One Sings, the Other Doesn’t (1977)
Vardaโs beautiful work about the deep friendship between two French women trying to find meaning in their womanhood is fiercely feministic underneath its warm, understated filmmaking style.
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Chimes at Midnight (1966)
Arguably Orson Wellesโ finest hour as a director and actor, this resurrected masterpiece remains to be one of cinemaโs most extraordinary adaptations of Shakespeare.
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Trafic (1971)
This late career work by French comic master Jacques Tati has uncharacteristic pacing problems, though if you like automobiles, it is a charming snapshot of cars and trucks of the early 1970s.
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Playtime (1967)
The great Jacques Tati delivers outrageously inventive comedy visual gags in some of the most elaborate mise-en-scene committed to film.
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Eternality Tan 