Fellini’s mastery of form and style is there for all to revel in this autobiographical film about the psychological crisis of a film director.
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8½ (1963)
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Category / Criterion Collection
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La strada (1954)
This early work by Fellini is truly one of his finest efforts, told in a fabulist style and with great emotional honesty.
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Monsieur Hulot’s Holiday (1953)
Tati’s international breakthrough is his most optimistic film in what is a purely-conceived characterisation of the inimitable Mr. Hulot.
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Double Indemnity (1944)
One of Billy Wilder’s greatest films, and a textbook example of how to do a noir so right… and so good.
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Rumble Fish (1983)
A feverish attempt at exploring the nature of wasted youth with strong visual and aural stylings that can’t quite hide its meandering narrative.
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Zatoichi and the Chest of Gold (1964)
This sixth installment benefits from the wild, manic energy sustained by relatively new director Kazuo Ikehiro.
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Dead Man (1995)
A stylish revisionist anti-Western masterpiece by Jim Jarmusch that is both surreal, spiritual and poetic, backed by a stunning improvised ‘live’ score by Neil Young.
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State of Siege (1972)
Costa-Gavras sets his sights on Latin America in this superbly-constructed political-thriller that raises questions about the United States’ complicit involvement in counterinsurgency, torture and violence.
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Home and the World, The (1984)
Ray’s third adaptation of Rabindranath Tagore’s work late on in his career is a quietly-composed and deliberately-paced tale about the intertwining of domestic and national affairs.
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Au revoir les enfants (1987)
One of Malle’s finest works, this restrained drama builds up slowly, only to leave you emotionally shattered by the end of it.
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Eternality Tan 