Polanski’s greatest accomplishment, and one of the finest American films ever made from the ’70s.
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Polanski’s greatest accomplishment, and one of the finest American films ever made from the ’70s.
A drama-comedy that tells us painful truths about growing up (and old) through the kind of offbeat comedy that writer-director Noah Baumbach is synonymous with.
A passive character study disguised as a romantic-comedy that feels too laidback for it to work convincingly.
Scorsese delivers another career-high mob film that is quite unlike what he has done before in what could be a strong Best Picture contender.
Has no real narrative impetus and mistakes a laidback filmmaking style for meaning-making, this modern ‘Ganja and Hess’ remake by Spike Lee is a turn-off.
More psychological drama than pure horror, Polanski’s classic will haunt viewers willing to be immersed in its reality.
A Polanski masterclass in psychosexual filmmaking, still effectively chilling and disturbing today as it was—surely a shocker!—back in the mid-‘60s.
Saoirse Ronan and Laurie Metcalf shine in this generous, sincere if also wistful work from Greta Gerwig.
A headfirst dive into this dream-within-a-dream anime, which promises a trippy dose of surreal visuals and unsettling themes.