Ridley Scott is back in some style with this largely captivating stranded-in-Mars sci-fi adventure that is a potent mix of science and thrills.
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Ridley Scott is back in some style with this largely captivating stranded-in-Mars sci-fi adventure that is a potent mix of science and thrills.
Boyle, Sorkin, Fassbender and Winslet deliver some of their best work in this talky if invigorating three-act ‘cinematic theatre’ centering on the Apple co-founder.
As a swords-and-sandals biblical epic, it is fairly spectacular, but remotely engaging.
Kubrick’s pitch-black Cold War comedy is absolute gold, intelligently poking fun at the sheer absurdity of nuclear war and rhetoric.
A didactic and dialogue-heavy thriller that is directed with confidence by Ridley Scott.
A “Gladiator-ised” Robin Hood without the right punch in this missed opportunity by Ridley Scott.
Architecture meets cinema in this minimalist if keenly observed, hauntological tale of two intimacy-starved artists living in a glass house in London as they prepare for its sale.
This is Huston in laissez-faire mode as a group of men with an ulterior motive to milk the riches of Africa meets unexpected obstacles in the form of a British couple, as the film explores human temptations of greed, lust and pride.
Huston’s Venice Silver Lion-winning costume drama focuses much more on disabled French artist Henri de Toulouse-Lautrec than the infamous Paris nightclub that he frequently visits in this ruminative take on love and loneliness.
Kristen Stewart gives a top-tier performance of quiet rage as the tormented Princess Diana in this journey down a psychological hellhole that is as formally-crafted a film as you’ll see this year.