It’s well-made, but underwhelmingly conventional and perhaps too prim and proper to suggest that it has any real interest in diving deeper into the dirty sociopolitics of the time, settling unfortunately for a more sanitised, autobiographical Oscar-baiting family picture.
It may sometimes feel protracted, but Korda’s bleak work about a black priest who tries to locate his estranged son in Johannesburg (shot on location) shows the fatalistic implications of apartheid at the personal level.
Edgar Wright’s engaging if offbeat heist film ticks like clockwork, and is accompanied by a terrific iPod playlist for a soundtrack.
A meta-comedy that is conscious about its fun-ness, though not all of the gags hit the sweet spot in this final installment of Edgar Wright’s ‘Cornetto’ trilogy.
Nightmares don’t get any more intense and slicker than in Edgar Wright’s latest genre-mashing effort—a fun, psychological thriller about a young woman who discovers that she can time-travel through her dreams.
Feels modern in full-throttle blood-spurting style, yet also wholly in period with Shakespearean-speak – a violent, beautiful if occasionally emotionally distancing screen adaptation of the famous text.
The Oscar-winning directors of ‘Free Solo’ tackle with lucidity and suspense the incredible international rescue efforts of a group of Thai boys trapped deep in a flooded cave back in 2018.
Whimsicality meets witticism in this delightful supernatural comedy adapted by Lean from Noel Coward’s sensational record-breaking theatre hit.
There’s both a sense of energy and listlessness to the filmmaking, with a story or two waiting to pop out, but that never materializes through the course of this sprawling, ambitious road movie.
Truth is the weakest currency in Ridley Scott’s generally solid stab at a Rashomon-esque historical epic set in medieval France during the Hundred Years’ War.
Eternality Tan 