Perhaps the deepest film, philosophically speaking, of the trilogy, as Nolan delivers a compelling entertainer that asks not who but what Batman is.
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Perhaps the deepest film, philosophically speaking, of the trilogy, as Nolan delivers a compelling entertainer that asks not who but what Batman is.
Continue reading →A war movie that is intentionally ‘all talk but no action’—it doesn’t really make us feel for the characters, but we might just grasp the futility of being a cog in the machine.
Continue reading →Khoo’s work here is oddly affective, finding the poetic in the mundane as stories of love and solitude come together in elliptical fashion.
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There’s not much action in this, but To develops a mostly engrossing triad flick about infighting and power plays.
Continue reading →An unexpectedly weaker effort from Hou —this is a well-intentioned experimental exercise in form, style and structure, but it comes off as uneven and unsatisfactory.