Breathless filmmaking by the Safdies that also sees Adam Sandler producing his best performance yet.
Continue reading →
Uncut Gems (2019)
Continue reading →
Category / Criterion Collection
Continue reading →
Taste of Cherry (1997)
Plainfully simple yet thematically complex, this slow and bleak feature remains to be one of Kiarostami’s most profoundly engaging works.
Continue reading →
Close-Up (1990)
A transcendent masterpiece that reveals intricate thematic complexities and showcases Kiarostami’s brilliance upon a closer and critical examination.
Continue reading →
Traveler, The (1974)
A neorealist-inspired first feature by Kiarostami, charting his path to become one of cinema’s foremost chroniclers of the human condition.
Continue reading →
Umberto D. (1952)
A classic of Italian neorealist cinema that also marked the movement’s untimely end, De Sica’s work here about an old man and his dog can be heartbreaking (or to some, dreary) to a fault.
Continue reading →
Tale of Zatoichi Continues, The (1962)
Punch-Drunk Love (2002)
This unconventional and intoxicating concoction by P.T. Anderson oozes style, rhythm, and idiosyncrasy.
Continue reading →
Irishman, The (2019)
Scorsese delivers another career-high mob film that is quite unlike what he has done before in what could be a strong Best Picture contender.
Continue reading →
Rosemary’s Baby (1968)
More psychological drama than pure horror, Polanski’s classic will haunt viewers willing to be immersed in its reality.
Continue reading →
Repulsion (1965)
A Polanski masterclass in psychosexual filmmaking, still effectively chilling and disturbing today as it was—surely a shocker!—back in the mid-‘60s.
Continue reading →
Eternality Tan 