Continue reading →This wild concoction of profane humour and bizarre antics, and an unusual narrative that doesn’t quite amount to anything, is perhaps the most cultish of all Coens’ pictures, but not necessarily one of their best.
Continue reading →This wild concoction of profane humour and bizarre antics, and an unusual narrative that doesn’t quite amount to anything, is perhaps the most cultish of all Coens’ pictures, but not necessarily one of their best.
Continue reading →The Coens’ sense of the macabre is near-perfected in one of their most beloved films.
Continue reading →One of the Coens’ very best – a fine character study and a strong allegory of what is rotten about Hollywood filmmaking.
Continue reading →Only their third feature, the Coens show that they could do a 1930s gangster movie in a style of their own.
Continue reading →The Coens show their versatility early on in their career in this quirky take on farcical comedy.
Continue reading →This is the work of two idiosyncratic brothers toying with cinematic possibilities and getting it right on the first try.
Continue reading →The vision and genius that director Cuaron and cinematographer Lubezki bring to the table is sensational, creating one of the best space movies ever, even if it is light on narrative.
Continue reading →Alfonso Cuaron’s masterwork is one of the great dystopian movies of our time, unfortunately underseen and underappreciated by many.
Continue reading →Without a shadow of a doubt, this is one of the greatest trilogies of all-time.
Continue reading →A major disappointment from Peter Jackson.