Continue reading →A different kind of measured, mainstream sci-fi that is almost like its thematic preoccupation—that of mutability where there is just enough change to enthrall and thrills to excite.
Continue reading →A different kind of measured, mainstream sci-fi that is almost like its thematic preoccupation—that of mutability where there is just enough change to enthrall and thrills to excite.
Continue reading →Seeing the freedom the Coens had in making this omnibus of Western ‘shorts’ is delightful, though it is a minor work with inherent unevenness.
Continue reading →A lengthy affair it may be, but this re-envisioning of Argento’s cult horror classic works on its own nightmarish terms in what is also a strong stylistic and technical exercise.
Continue reading →Sensual and resplendent the film may be, but Guadagnino’s masterstroke is to give life to the unspoken—in this case, the bittersweet intimacies of a burgeoning queer romance.
Continue reading →A light-hearted romp in the park that is true to the Coens’ off-kilter style, even if it doesn’t hold a candle to some of their finer works.
Continue reading →The Coens pull off one of the finest films of the decade in this soulful and enigmatic effort starring a broodingly good Oscar Issac.
Continue reading →The Coens’ take on the Western could be the definitive adaptation of Charles Portis’ novel – beautifully-shot and scored.
Continue reading →Weird but fascinating, this sublime black comedy is for the die-hard Coens fan.
Continue reading →A smart movie about stupid people, this is the Coens having fun with their material and cast.
Continue reading →This slow-burn crime-thriller is arguably the Coens’ finest achievement.