A nostalgic documentary by Scorsese that celebrates the cultural phenomenon that is rock music in the form of a concert film.
Continue reading →
A nostalgic documentary by Scorsese that celebrates the cultural phenomenon that is rock music in the form of a concert film.
This is Scorsese at his finest, and is in my opinion probably the greatest American film to come out of the 1970s.
Scorsese’s directorial breakthrough is such raw and involving cinema, showing us why he would go on to be regarded as one of the greatest of all American filmmakers.
A return to sterling form for Spike Lee, this is one of the yearโs most powerful films, and itโs very funny too.
Spike Lee’s remake of Park Chan-wook’s twisted masterpiece starts off lethargically, but grows in confidence with its material, though it is still many miles away from the standard of the South Korean original.
A zany installment in the โThorโ franchise that is the closest Marvel has come to making a pure fantasy-comedy.
Thereโs ample spectacle on display, but barely sufficient characterisation to make us feel anything for the ragtag group of protagonists.
It’s back, big time โ a satisfying continuation of possibly popular cinema’s greatest saga.
The geek-god is back with a rousing sci-fi action-adventure that is in for a strong shout as one of this summer’s most satisfying offerings.
A decent tribute to the wide-eyed wonderment of 1970s sci-fi cinema, but it is not without its issues in storytelling.