A return to sterling form for Spike Lee, this is one of the yearโs most powerful films, and itโs very funny too.
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A return to sterling form for Spike Lee, this is one of the yearโs most powerful films, and itโs very funny too.
Spike Lee’s remake of Park Chan-wook’s twisted masterpiece starts off lethargically, but grows in confidence with its material, though it is still many miles away from the standard of the South Korean original.
A zany installment in the โThorโ franchise that is the closest Marvel has come to making a pure fantasy-comedy.
Thereโs ample spectacle on display, but barely sufficient characterisation to make us feel anything for the ragtag group of protagonists.
It’s back, big time โ a satisfying continuation of possibly popular cinema’s greatest saga.
The geek-god is back with a rousing sci-fi action-adventure that is in for a strong shout as one of this summer’s most satisfying offerings.
A decent tribute to the wide-eyed wonderment of 1970s sci-fi cinema, but it is not without its issues in storytelling.
J.J. Abrams makes a complete transition from television director to blockbuster filmmaker with this stunning ‘Star Trek’ remake.
A tad cliche in its storytelling, but it remains a respectable action film by a promising director.
Rian Johnson returns with the most tightly-plotted film of the yearโa comedic whodunitย that is charming, delightful and plays the audience like a piano.