The duality of being a U.S. Marineโto train to kill but also be expendableโis captured with cold, hard irony in Kubrickโs clinical take on the (Vietnam) war movie.
Continue reading →
The duality of being a U.S. Marineโto train to kill but also be expendableโis captured with cold, hard irony in Kubrickโs clinical take on the (Vietnam) war movie.
Schraderโs terrific work here treads familiar thematic ground as his โTaxi Driverโ, but make no mistake, this character study on guilt and salvation is stylistically a different animal.
If politics can be beguiling, then this documentary about Imelda Marcos entertainingly captures the ups and downs of The Philippinesโ larger sociopolitical history with aplomb.
A fun, thrilling if sometimes disturbing ride, but it is not as substantial as ‘Raiders’ or ‘Crusade’.
Arguably the most iconic and memorable action-adventure film ever made and a textbook example of how Hollywood filmmaking can go so right.
The best parts of this decent Hollywood-style samurai epic are the heart-to-heart conversations between Tom Cruise and Ken Watanabe, backed by a lush, emotional score by Hans Zimmer.
An astonishing sci-fi-drama that is also one of Spielberg’s very best, complete with awe-inspiring scenes and heartwarming embrace of humanity.
With incredible restraint and backed by all-round excellent performances, Kubrickโs exploration into a revolting form of sexual obsession is remarkable for its implicit portrayal of an erotic relationship between a (step)father and his daughter.
Kubrickโs much-maligned first feature, while a sketchy exercise, is still (barely) watchable as it ruminates about war and existence, albeit in too self-important and vacuous a manner.