A skimpy storyline and uninteresting lead characters mar this artistic antecedent to โMoulin Rougeโ and โLa La Landโ.
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A skimpy storyline and uninteresting lead characters mar this artistic antecedent to โMoulin Rougeโ and โLa La Landโ.
Herzog’s take on capital punishment from a humanistic standpoint – haunting, hopeful, and strange.
Haley Bennettโs hypnotic performance as a pregnant woman with a new compulsion for eating hard and sharp objects gives this polished feature debut a nuanced edge.
The duality of being a U.S. Marineโto train to kill but also be expendableโis captured with cold, hard irony in Kubrickโs clinical take on the (Vietnam) war movie.
Schraderโs terrific work here treads familiar thematic ground as his โTaxi Driverโ, but make no mistake, this character study on guilt and salvation is stylistically a different animal.
If politics can be beguiling, then this documentary about Imelda Marcos entertainingly captures the ups and downs of The Philippinesโ larger sociopolitical history with aplomb.
A fun, thrilling if sometimes disturbing ride, but it is not as substantial as ‘Raiders’ or ‘Crusade’.
Arguably the most iconic and memorable action-adventure film ever made and a textbook example of how Hollywood filmmaking can go so right.
The best parts of this decent Hollywood-style samurai epic are the heart-to-heart conversations between Tom Cruise and Ken Watanabe, backed by a lush, emotional score by Hans Zimmer.