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Eternality Tan

Hailing from Singapore & writing about cinema since 2007

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Featured

Fabelmans, The (2022)

February 7, 2023 by Eternality Tan

Boat People (1982)

February 5, 2023 by Eternality Tan

#LookAtMe (2022)

February 3, 2023February 3, 2023 by Eternality Tan

As You Were (2014)

January 23, 2023January 25, 2023 by Eternality Tan

Babylon (2022)

January 21, 2023January 22, 2023 by Eternality Tan

Never Gonna Snow Again (2020)

January 19, 2023January 19, 2023 by Eternality Tan

Sans Soleil (1983)

January 18, 2023January 18, 2023 by Eternality Tan

Bellissima (1951)

January 15, 2023 by Eternality Tan

Martin Eden (2019)

January 12, 2023January 12, 2023 by Eternality Tan

Glass Onion (2022)

January 11, 2023 by Eternality Tan

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Tag / Paul Schrader

November 3, 2021November 3, 2021 by Eternality Tan

Card Counter, The (2021)

  • Schrader, Paul
  • 2021, Paul Schrader, USA
  • Leave a comment

Oscar Isaac headlines this low-key, slow-burn thriller about a poker player with a haunted past, directed with the minimum of fuss by Schrader.

⭐⭐⭐⭐

Rating: 3.5 out of 5.

Continue reading →
June 30, 2020October 16, 2022 by Eternality Tan

Light Sleeper (1992)

  • Schrader, Paul
  • 1992, Paul Schrader, USA
  • 1 Comment

Schrader’s terrific work here treads familiar thematic ground as his ‘Taxi Driver’, but make no mistake, this character study on guilt and salvation is stylistically a different animal.

⭐⭐⭐⭐⭐

Rating: 4.5 out of 5.

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March 10, 2020June 30, 2020 by Eternality Tan

Mishima: A Life in Four Chapters (1985)

  • Criterion Collection, Schrader, Paul
  • 1985, Japan, Paul Schrader, USA
  • 2 Comments

One of the most visually-stunning biopics ever made, this complexly-layered work about art, politics, memory and imagination is arguably Paul Schrader’s finest moment as a filmmaker. 

⭐⭐⭐⭐⭐

Rating: 5 out of 5.

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July 7, 2019October 16, 2020 by Eternality Tan

First Reformed (2017)

  • Schrader, Paul
  • 2017, Paul Schrader, USA
  • Leave a comment

Paul Schrader examines the nature of religious faith amid a severe erosion of morality, backed by a quiet but effective performance by Ethan Hawke.

⭐⭐⭐⭐

Rating: 4 out of 5.
Continue reading →
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