![]()
A stylistic departure from his rural ‘border dramas’, Midi Z’s disconcerting meta-filmic response to the #MeToo movement features a stunning performance by co-writer Wu Ke-Xi.
![]()
A stylistic departure from his rural ‘border dramas’, Midi Z’s disconcerting meta-filmic response to the #MeToo movement features a stunning performance by co-writer Wu Ke-Xi.
![]()
An excellent low-key drama about the perils of working in a foreign country as an illegal immigrant, directed with assurance and confident pacing by rising filmmaker Midi Z.
Continue reading →An utterly miserable work about a woman coming to terms with her cheating husband that is torturous to sit through.
![]()
A solidly-acted story of one woman trying to raise her family despite all odds, in what could be Taiwan New Cinema director Chang Yi’s finest work.
Continue reading →Used to be one of Hou’s rarest films, but while it suggests a weaker grasp of his material, it is still worth a shot.
Continue reading →Hou Hsao-Hsien’s coming-of-age drama shows the hard-hitting reality of surviving in 1980s Taiwan, yet resonates as an evocation of a time passed.
Continue reading →The first of Hou’s ‘coming-of-age’ trilogy is a delightful capture of the nostalgic days of childhood.
Continue reading →The third film in Hou’s ‘coming-of-age trilogy’ eschews sentiment for a bleak if poetic visual meditation on fate, space and time.
Continue reading →This historical epic about post-WWII Taiwan is one of Hou’s most ambitious and encompassing works, and also his first true masterpiece.
Continue reading →This is Hou’s masterpiece – a mammoth work about tradition and family, astonishingly crafted, and wrapped in the kind of historical fervour that gives it its power.