Anita Mui and Leslie Cheung star in this movie straddling between two eras with a ghost story in the mix, directed by Stanley Kwan with a strong sense of melancholy and nostalgia.
Continue reading →
Rouge (1987)
Continue reading →
Category / Criterion Collection
Continue reading →
Le doulos (1962)
Twists and revelations are aplenty in this intricately-plotted, suspense-driven crime noir that sees Melville and Belmondo collaborate for the second time.
Continue reading →
Traffic (2000)
Soderbergh is at his commanding best in this powerful and unsettling film that captures the essence of the U.S-Mexico drug trade as it is, and without the need to moralise.
Continue reading →
Bob le flambeur (1956)
Melville’s sly if laidback anti-heist noir (if there ever was one) is an absorbing take on how individuals and the collective operate in matters of vice and deception.
Continue reading →
Zatoichi at Large (1972)
Despite a sensational action finale that rivals some of the best in the series, this 23rd instalment seems to have been made from a script that is one or two revisions away from being ready.
Continue reading →
Peeping Tom (1960)
The picture that destroyed Powell’s career, this disturbing work about a serial killer who perversely films his victims as they die is now regarded as a major influence on the modern slasher movie, and a provocative exploration of the ills of scopophilia.
Continue reading →
Ace in the Hole (1951)
Kirk Douglas is sensational as an amoral journalist with an acerbic wit, who exploits the news of a man trapped in a cave, as Wilder gives us one of his most cynical films.
Continue reading →
Generation, A (1955)
Wajda’s first feature is a modest story of sorrow and youth resistance in Nazi-occupied Warsaw, promising great things to come for one of Poland’s greatest filmmakers.
Continue reading →
Hand, The (2004)
Wong’s expanded version of his short for the ‘Eros’ anthology is more erotic and fatalistic than usual, and also an aesthetic and thematic extension of the world he created with ‘In the Mood for Love’.
Continue reading →
Small Back Room, The (1949)
An explosives expert must fight a personal battle with alcoholism in this minor WWII effort from Powell and Pressburger, which features one of the most suspenseful bomb disarmament scenes in early black-and-white cinema.
Continue reading →
Eternality Tan 