Perverse, disturbing and chilling, but also essential, Pasolini’s controversial final film evokes both disgust and fascination in equal measure.

Tales of lust and love are intertwined with Pasolini’s astonishing location shooting in this weird concoction of a film that runs a bit too long.

Not as complete as The Decameron was, this lust-filled, sex-crazed medieval fantasy will probably knock you out with its comic outrageousness.

Pasolini’s first film in his unofficial ‘Trilogy of Life’ is wildly provocative and blasphemous where religion and sex meet at the crossroads of art.

Powerful, poetic and sublime, this could be Pasolini’s magnum opus and arguably the greatest film about the life of Jesus Christ.