Visually engaging, narratively sparse and occasionally surreal, this unique portrait of the lonely and the poor through the nearly silent interactions between a Nigerian man and four Vietnamese women ultimately peters out.
Probably a stretch to say that this is Malick meets Marvel, but Chloe Zhao delivers something different—a slower-paced, exposition-heavy actioner about creationism, existence and the ties that bind superheroes to their humanity.
Smoke from coal ovens is a recurrent visual motif of class struggle in Sen’s excellent take on the material poverty of Calcutta’s poor, sprinkled with bouts of indelible dreamlike scenes.
Not dull, but also not memorable, Ho’s debut feature sparkles at times but also disappoints.
Rohmer’s decent first entry in his ‘Four Seasons’ anthology may seem bright and airy, if only to serve as a direct contrast to the undercurrents of discord and antipathy among loved ones and acquaintances.
Whimsicality meets witticism in this delightful supernatural comedy adapted by Lean from Noel Coward’s sensational record-breaking theatre hit.
Ho Wi Ding’s new feature, a seemingly complex intersecting lives psychological drama, tackles without moral judgment the desires of young Taiwanese adults who are desperate for intimacy and connection.
There’s both a sense of energy and listlessness to the filmmaking, with a story or two waiting to pop out, but that never materializes through the course of this sprawling, ambitious road movie.
Excellent performances of nuance and subtlety aside, Hamaguchi’s work here is emotionally rich but its plot shifts remain unconvincingly executed.
A meandering misfire from Chahine, this family conflict drama infused with superfluous sequences of song-and-dance fails to stir the senses in the way that his best works effortlessly do.
Eternality Tan 