Ridley Scott is back in some style with this largely captivating stranded-in-Mars sci-fi adventure that is a potent mix of science and thrills.
Continue reading →
Ridley Scott is back in some style with this largely captivating stranded-in-Mars sci-fi adventure that is a potent mix of science and thrills.
This late-career effort by the Polish master feels tonally odd, but it gives a broad and largely engaging look at Poland’s most important figure during the Solidarity movement of the 1980s that sparked the decline of Soviet communist rule.
A rare narrative feature from one of the world’s foremost documentarians of Soviet history, this vignette-style dark absurdist satire doesn’t pull its punches from depicting the sorry state of affairs in Russian-occupied Eastern Ukraine.
One of Marvel’s most visually fascinating movies to date, but certainly not one (or two) of their finest hours.
At times packing visual panache yet also feeling run-of-the-mill in terms of plotting, Sam Raimi’s return to the superhero genre is welcoming but non-essential.
Holy water from a temple is found to be contaminated in this decent adaptation of Henrik Ibsen’s play, situated within Ray’s cultural milieu as this straightforwardly-told drama sees science and religion cross swords.
Movies about children with hidden powers are not a new thing, but in this Norwegian psychological drama with a terrific sound design, writer-director Vogt has created an unsettling portrait of childhood as the thin line between good and evil is explored.
A ruminative drama on the fear of death and loneliness, matched by a great performance by Victor Sjostrom.
Boyle, Sorkin, Fassbender and Winslet deliver some of their best work in this talky if invigorating three-act ‘cinematic theatre’ centering on the Apple co-founder.
As a swords-and-sandals biblical epic, it is fairly spectacular, but remotely engaging.