It will surely spark more conversations on women’s agency in dealing with sexual assault and toxic masculinity, but Polley’s work is visually uninteresting, and the performances might sometimes feel maudlin.
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It will surely spark more conversations on women’s agency in dealing with sexual assault and toxic masculinity, but Polley’s work is visually uninteresting, and the performances might sometimes feel maudlin.
This could very well be the first-ever Holocaust drama, about a group of resilient women who must attempt to survive during the last months of the war, startlingly shot on location at Auschwitz, with many cast and crew who survived the concentration camps.
Marker’s legendary work, comprised of a montage of still photographs with narration, is not just one of cinema’s most famous shorts, but a thought-provoking look at the impossibility of escaping the claws of time.
It’s difficult to have an opinion on Schanelec’s new film, which is decidedly inscrutable though it retains the German slow cinema auteur’s unique sensibilities as it explores themes of fate, guilt and grief in an elusive way.
We haven’t had a great anti-war film in years—this WWI piece comes just as timely in the wake of Russia’s invasion of Ukraine, and is as technically accomplished and emotionally involving as some of the finest entries of the genre.
As per tradition, here are my predictions for the Oscars 2023!
WW: Will Win
DH: Dark Horse
Prediction Results: 19/23 (21/23 if including dark horses)
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The Daniels’ wacky vision of a ‘multiverse’ action-comedy somewhat revels in its outlandish excess, and is blessed with a cast (headlined by a superb Michelle Yeoh) pretty much game to realise it to its fullest potential.
An antecedent to the likes of ‘Tenet‘, this low-budget cult sci-fi sensation about two engineers who discover that they can manipulate time feels so raw and indecipherable that it could just be paralyzingly real.
Sandrine Bonnaire announces herself as one of French cinema’s most compelling actresses in what could be one of Pialat’s most beloved works, which charts the sexual awakening of a teenage girl living with her dysfunctional family.
The second film of Inarritu’s ‘hyperlink’ trilogy may occasionally feel overwrought by design, but the top-tier performances from Naomi Watts, Sean Penn and Benicio Del Toro give it the requisite emotional intensity to work.