Arguably the Czech New Wave’s most fiercely anarchic entry, this experimental cult film’s wild portrayal of two young women’s decision to give the middle finger to authoritarianism and the patriarchy remains as effective as ever.
Continue reading →
Arguably the Czech New Wave’s most fiercely anarchic entry, this experimental cult film’s wild portrayal of two young women’s decision to give the middle finger to authoritarianism and the patriarchy remains as effective as ever.
De Sica is in a more commercial mode here before he caught the neorealist bug as he tells a largely compelling story of rivalry and friendship in a convent for girls, with a bout of action as nationalist politics get in the way.
Escalante’s sophomore feature is slow and deliberate, yet extremely exacting in what it wants to do, which is to portray with docu-style authenticity one day in the life of two illegal Mexican labourers, with shocking results.
The strong bond between two young boys is tested in Dhont’s nuanced if straightforward sophomore feature about the nature of guilt and responsibility, boasting naturally affecting performances.
The 10th edition of my annual Oscar prediction contest is back!
I will share my predictions on the weekend of 11-12 Mar. The Oscars will happen on Mon 13 Mar, 8.00am (SGT).
Instructions:
How to win:
If you win, you will receive the following prize:
Here are the 23 categories in contention:
Have fun and good luck!
An endlessly looping piece of cheerful island music envelopes and provides a counterpoint to Duras’ melancholic conversational piece between two women as they reflect on a marriage in tatters.
Inarritu’s surrealistic personal work about the crisis of Mexican identity fails to overcome its early sluggishness and narrative inertia despite many moments of visual and technical flourishes, making it his career-worst film.
This is one of Akin’s most rollickingly pleasurable films, a high-energy comedy filled with absurd moments about an F&B manager who is faced with making hard business and romantic decisions.
Skolimowski’s raw debut feature is like a Polish ‘Breathless’, though much less interesting and with little to really engage viewers.
One man doesn’t want to be friends with another man anymore in McDonagh’s beautifully-shot and darkly humourous film that boasts a sharp script and even sharper acting by the wonderful cast.