Continue reading →On hindsight a homage to Ozu by proxy of Kore-eda, this is a subtle if plotless drama that continues Hou’s fascination with trains.
Continue reading →On hindsight a homage to Ozu by proxy of Kore-eda, this is a subtle if plotless drama that continues Hou’s fascination with trains.
Continue reading →An unexpectedly weaker effort from Hou —this is a well-intentioned experimental exercise in form, style and structure, but it comes off as uneven and unsatisfactory.
Continue reading →Shot in France and starring Juliette Binoche in an excellent performance, this is however a minor work by Hou that doesn’t quite achieve anything substantial.
Continue reading →Hou’s latest may be extremely slow and loosely structured, but its sheer beauty and assured direction will bring you deep into a world of strangely alluring characters, dilemmatic codes of honour and astonishing landscapes.
Continue reading →Steve McQueen’s Cannes Camera d’Or-winning debut feature is powerful and astonishing.
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Steve McQueen’s powerfully raw character study on one man’s sexual addiction is spearheaded by a truly exceptional performance by Michael Fassbender.
Continue reading →Not McQueen’s most engaging effort, but certainly his most important work to date.
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Tarantino’s so-called ‘weakest’ work still delivers jaw-dropping car chase stunts.
Continue reading →Tarantino delivers a bloody entertaining ride amid some slight pacing problems – and a loving homage to the samurai film and Hong Kong kungfu cinema.