Continue reading →Not McQueen’s most engaging effort, but certainly his most important work to date.
Continue reading →Not McQueen’s most engaging effort, but certainly his most important work to date.
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Tarantino’s so-called ‘weakest’ work still delivers jaw-dropping car chase stunts.
Continue reading →Tarantino delivers a bloody entertaining ride amid some slight pacing problems – and a loving homage to the samurai film and Hong Kong kungfu cinema.
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With more dramatic substance than Vol. 1, Vol. 2 shows that Tarantino has an unparalleled gift for dialogue and a sharp cinematic eye.
Continue reading →Tarantino’s latest overstays its welcome, but his astonishing marriage of dialogue and action continues to wow.
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Its epic length may be of disservice to Tarantino’s latest work, but this is his most maturely-crafted film to date, though not necessarily one that is thoroughly compelling.
Continue reading →This minor work is also the weakest film in Kaurismaki’s “Finland” trilogy, taking itself more seriously than it ought to be.
Continue reading →A compassionate if often amusing film centering on a couple facing unemployment that sees Kaurismäki in his own element.
Continue reading →Takes a while to set off, but when it does, the film is Kaurismäki at his deadpan comedic best, with a touch of empathy for its characters.