P.T. Anderson oozes incredible confidence and panache as a master filmmaker in-the-making in this sophomore period film about the exploits of a ragtag group of cast and crew working in the American porn industry.
Kapadia’s follow up to ‘Senna’ is an intimate and at times disheartening look at the perils of celebrity, fame and their vices.
Brilliantly pieced together from raw footage, this documentary about the legendary F1 race driver Ayrton Senna is inspiring as it is tragic.
There’s always dark comedy and human pathos round the corner in this grungy stab at the heist-thriller, backed by a pulsating electronic-synth score and a frantic performance by Pattinson.
An unconventional if masterful portrait of a German family in existential crisis, executed in as challenging and philosophical a style as any that works like a contemporary tone poem.
Shot in Kuala Lumpur, Tsai’s elliptical style captures the odd beauty of old places that seem devoid of warmth as his array of listless characters try to seek for that elusive intimacy and connection with another human being.
A dizzying bundle of energy whilst also possessing an inspired anarchic spirit, the movie features a sensational Margot Robbie as Harley Quinn.
P.T. Anderson goes sufficiently mainstream without compromising on his artistic vision in this exquisite period drama about romances and obsessions.
A hip, strange, stylish, oddball-ish attempt by P.T. Anderson to capture the drug-fueled exploits of Thomas Pynchon’s eccentric detective operating in the dirty, seedy 1970s.
P.T. Anderson continues his formidable form with another masterful work, backed by a trio of stellar performances from Phillip Seymour Hoffman, Joaquin Phoenix and Amy Adams.
