PTA’s indelible 1970s romance between a teenage boy and an older woman (Cooper Hoffman and Alana Haim are sensational) is akin to a cinematic relaxant, suffused with good, nostalgic vibes yet there’s enough of a slight overdose of unpredictability and peril to last the course.
P.T. Anderson’s mesmerising hour-long shot-in-India documentary about the coming together of musicians to record an album is a musical dream transcending its raw, no-frills production.
P.T. Anderson oozes incredible confidence and panache as a master filmmaker in-the-making in this sophomore period film about the exploits of a ragtag group of cast and crew working in the American porn industry.
P.T. Anderson goes sufficiently mainstream without compromising on his artistic vision in this exquisite period drama about romances and obsessions.
A hip, strange, stylish, oddball-ish attempt by P.T. Anderson to capture the drug-fueled exploits of Thomas Pynchon’s eccentric detective operating in the dirty, seedy 1970s.
P.T. Anderson continues his formidable form with another masterful work, backed by a trio of stellar performances from Phillip Seymour Hoffman, Joaquin Phoenix and Amy Adams.
Not just P.T. Anderson’s finest film to date, but one of the greatest works of the 2000s decade – this is a cinematic masterpiece in every sense of the word.
This unconventional and intoxicating concoction by P.T. Anderson oozes style, rhythm, and idiosyncrasy.
A masterful tapestry of interwoven stories and interconnected characters – this is one of P.T. Anderson’s finest hours.
Eternality Tan 