Continue reading →It may be an imperfect re-envisioning of the best-selling novel, but Fincher shows why he is one of the most technically-gifted filmmakers of his generation.
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Game, The (1997)
Continue reading →Clinically precise in its execution, this mystery-thriller grips you and plays you like a game.
Gone Girl (2014)
Continue reading →Darkly comic, twisted, even creepy, Fincher’s latest grips you by the throat.
Widows (2018)
Continue reading →Steve McQueen tackling the heist-thriller genre is certainly worth seeing, but while it is a well-made effort, it is sometimes too convoluted for its own good.
12 Years a Slave (2013)
Continue reading →Not McQueen’s most engaging effort, but certainly his most important work to date.
Death Proof (2007)
Tarantino’s so-called ‘weakest’ work still delivers jaw-dropping car chase stunts.
Inglourious Basterds (2009)
Kill Bill: Vol. 1 (2003)
Continue reading →Tarantino delivers a bloody entertaining ride amid some slight pacing problems – and a loving homage to the samurai film and Hong Kong kungfu cinema.
Kill Bill: Vol. 2 (2004)
With more dramatic substance than Vol. 1, Vol. 2 shows that Tarantino has an unparalleled gift for dialogue and a sharp cinematic eye.
Django Unchained (2012)
Continue reading →Tarantino’s latest overstays its welcome, but his astonishing marriage of dialogue and action continues to wow.
