At times intoxicating, the film’s kaleidoscopic approach to exploring the depths of human emotions is invigorating and refreshing.
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Waves (2019)
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Tag / USA
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Witch, The (2015)
Eggers’ first feature is remarkable in its precision and economy, and no doubt one of the most bone-chilling horror films to come out in the last few years.
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Little Women (2019)
Backed by superb performances, particularly from Saoirse Ronan and Florence Pugh, Greta Gerwig’s screen adaptation of Louisa May Alcott’s classic novel is refreshing, poignant and utterly compelling.
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Marriage Story (2019)
Led by two quite effective leads in Adam Driver and Scarlett Johansson, Baumbach’s film about the perils of marriage and the pain of divorce has moments to savour.
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Chinatown (1974)
Polanski’s greatest accomplishment, and one of the finest American films ever made from the ’70s.
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While We’re Young (2014)
A drama-comedy that tells us painful truths about growing up (and old) through the kind of offbeat comedy that writer-director Noah Baumbach is synonymous with.
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Greenberg (2010)
A passive character study disguised as a romantic-comedy that feels too laidback for it to work convincingly.
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Irishman, The (2019)
Scorsese delivers another career-high mob film that is quite unlike what he has done before in what could be a strong Best Picture contender.
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Da Sweet Blood of Jesus (2014)
Has no real narrative impetus and mistakes a laidback filmmaking style for meaning-making, this modern ‘Ganja and Hess’ remake by Spike Lee is a turn-off.
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Rosemary’s Baby (1968)
More psychological drama than pure horror, Polanski’s classic will haunt viewers willing to be immersed in its reality.
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Eternality Tan 