No matter how many times you see it, it still holds up well as one of Hitchcockโs most morbid and suspenseful works.
Continue reading →
No matter how many times you see it, it still holds up well as one of Hitchcockโs most morbid and suspenseful works.
An underrated gem by Hitchcock about psychoanalysis and the guilt complex, featuring a stirring Oscar-winning score by Miklos Rozsa.
A skimpy storyline and uninteresting lead characters mar this artistic antecedent to โMoulin Rougeโ and โLa La Landโ.
Herzog’s take on capital punishment from a humanistic standpoint – haunting, hopeful, and strange.
Haley Bennettโs hypnotic performance as a pregnant woman with a new compulsion for eating hard and sharp objects gives this polished feature debut a nuanced edge.
The duality of being a U.S. Marineโto train to kill but also be expendableโis captured with cold, hard irony in Kubrickโs clinical take on the (Vietnam) war movie.
Schraderโs terrific work here treads familiar thematic ground as his โTaxi Driverโ, but make no mistake, this character study on guilt and salvation is stylistically a different animal.
If politics can be beguiling, then this documentary about Imelda Marcos entertainingly captures the ups and downs of The Philippinesโ larger sociopolitical history with aplomb.
A fun, thrilling if sometimes disturbing ride, but it is not as substantial as ‘Raiders’ or ‘Crusade’.