Pure adrenaline fun and thrills in this modern update by Spielberg.
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Oliver Stone is back in business in this brutal crime drama about drug cartels that is also flashy and entertaining.
Not as incisive and critical as the first film, Stone’s sequel, set in the context of the global financial crisis, is still decent enough to warrant a casual viewing.
When it is not weird and dark, its gaudiness might annoy, but there is a method to the madness as Coppola pulls every trick in the cinematographic and editing handbook to deliver a studio movie that no one would probably dare try to make in this vein again.
Itโs so simpleโtwo men go on an impromptu camping tripโyet Reichardtโs cinema of healing is deeply insightful about the ephemeral nature of life and friendship.
This underrated Philip K. Dick adaptation is an absolute sci-fi gem by Spielberg and a legitimate contender for the most entertaining, cerebral sci-fi thriller of the 2000s decade.
Generally solid if slightly overlong Muhammad Ali biopic with an underrated performance from Will Smithโit doesnโt push the envelope for the boxing genre, but Mann delivers the fundamentals right.
Spielberg’s warm touch of sentimentality is obvious if reassuring in this sci-fi project that Kubrick was working on before his untimely passing.
Not well-appreciated in its time, this satirical docu-style fiction feels like the last word on Americaโs controversial involvement in the Iraq War, and sees De Palma at his most liberal and provocative.
Perhaps too unfairly dissed, this is electrifying filmmaking by Stone as he captures the excessive machismo of sportโin this case, American footballโwith flashy editing and an energetic ensemble cast that includes strong turns by Al Pacino and Jamie Foxx.