Spielberg the fabulist meets Roald Dahlโs prose in this light-hearted, old-school tale that is somewhat an inconsequential entry in the directorโs illustrious filmography.
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Spielberg the fabulist meets Roald Dahlโs prose in this light-hearted, old-school tale that is somewhat an inconsequential entry in the directorโs illustrious filmography.
Adam Driver is sensational in this unorthodox if tonally-uneven musical about the perils of celebrity culture that oscillates between feeling inspired and overdrawn.
Polished and generally solid, this Cold War movie would rank as one of Spielbergโs good-but-not-great pictures.
Another commanding performance by Daniel Day-Lewis lifts this uncharacteristically slow-paced and talky Spielberg film from being too self-absorbed in its historical importance.
Some may find this terribly mawkish, but Spielberg is still the undisputed master of emotional manipulation, and I say this with gratitude, because it reminds me of the magic of moviemaking.
Spielberg’s first animated feature is ‘Indiana Jones’ meets ‘Pirates of the Caribbean’ in one of the year’s most entertaining movies.
Scorseseโs entertaining Bob Dylan documentary doesnโt really go very deep but it is an indelible time capsule as it tracks the legendary artisteโs defining 1975 tour across America.
The continuation of one of popular cinema’s enduring franchises is also one of Steven Spielberg’s rare misfires.
A woman at witsโ end desperate for a jobโand her hungry dogโare the subject of Reichardtโs depressing slice of working-class Americana, starring Michelle Williams in top form.