This could be Pasolini’s most oblique work—a diptych that examines the nature of latent fascism and fetishistic consumption through the symbolism of cannibalism and the erasure of bodily traces.
This solid mythical epic based on Sophocles’ most famous text sees Pasolini passionately delivering a rousing tragedy, a precursor and counterpoint to his boisterous and even more provocative ‘Trilogy of Life’.
A talking Marxist-leaning crow accompanies an old man and his son as Pasolini fashions a lukewarm comedy with absurdist undertones as it pokes fun at religion, politics and society.
Rosi’s eye-opening first-ever documentary could be his finest—he plants his camera on a boat along the holy Ganges River, capturing the assortment of sights, sounds and fervent opinions, as it meditates on the cycles of life and death.
Fellini’s mastery of form and style is there for all to revel in this autobiographical film about the psychological crisis of a film director.
Eternality Tan 