This is one of Rohmer’s more styleless films, though it is inherently more political than most of his output as he intellectualises the nature of political ecology, which may occasionally if unexpectedly come across as a tad dry.    

Rohmer’s decent first entry in his ‘Four Seasons’ anthology may seem bright and airy, if only to serve as a direct contrast to the undercurrents of discord and antipathy among loved ones and acquaintances.