A winner of Best Screenplay at Venice, Rohmer’s final ‘Four Seasons’ entry is an incisive and revelatory take on finding romance at a much older age, featuring two outstanding performances by Marie Riviere and Beatrice Romand.
Holy water from a temple is found to be contaminated in this decent adaptation of Henrik Ibsen’s play, situated within Ray’s cultural milieu as this straightforwardly-told drama sees science and religion cross swords.
A ruminative drama on the fear of death and loneliness, matched by a great performance by Victor Sjostrom.
Bergman’s breakthrough international success is a witty if flirtatious comedy about the laws of sexual attraction and matters of the heart.
Kubrick’s pitch-black Cold War comedy is absolute gold, intelligently poking fun at the sheer absurdity of nuclear war and rhetoric.
A talking Marxist-leaning crow accompanies an old man and his son as Pasolini fashions a lukewarm comedy with absurdist undertones as it pokes fun at religion, politics and society.
Demy goes full-blown with his colour palette and visual style in this rather straightforward and sporadically engaging fairy tale about an incestuous king who wants to marry his daughter.
Uneven storytelling slightly mars this swordplay action-drama classic with one of the most spectacular action climaxes in Japanese cinema.
Wes Anderson’s debut feature is so underrated it’s actually one of his best—a raw, humorous and amiable journey with a trio of young men hoping to pull off robberies for a living.
Shakespeare meets independent cinema of the highest order in Welles’ brilliant and vital take on the tragic story of the Moor of Venice.
Eternality Tan 