Violent, intense, darkly comic and a tour de force experience, this is God-tier Scorsese and one of the greatest films about gangsters and organised crime ever made.
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Goodfellas (1990)
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Author / Eternality Tan
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Cut, The (2014)
A sweeping if unremarkable, ‘globe-trotting’ drama about a father who tries to locate his daughters after surviving the Armenian genocide of 1915 by the Ottoman Empire, with Faith Akin’s approach too conventional to really compel.
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Trances (1981)
A vibey Moroccan music documentary about the popular group Nass-El Ghiwane that is a mix of invigorating performances, behind-the-scenes, and colonial history.
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Age of Panic (2013)
Triet’s highly-charged frenzy of a debut feature sees a female news reporter navigate rowdy crowds and an even rowdier family row, as her persistent ex-husband attempts to pay her little children a visit on the day of the 2012 French Presidential Election.
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July Rhapsody (2002)
A down-to-earth and poignant drama about a female student who has a crush on her married male teacher facing a midlife crisis, featuring indelible performances from Jacky Cheung, Anita Mui, and a breakout role by Karena Lam.
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Conde, El (2023)
Larrain imagines Pinochet as a still-alive vampire in this darkly comic if sometimes absurd take on tackling national historical trauma—it doesn’t work that convincingly but one can admire the conceptual vision.
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Black God, White Devil (1964)
A significant work of the Cinema Novo movement, one that dared to challenge the legitimacy of politics and religion as a poor farmer tries to seek salvation after killing his exploitative employer.
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Inside the Yellow Cocoon Shell (2023)
Technically exceptional but overlong and somewhat meandering, this Vietnamese Cannes Camera d’Or-winning work takes a leaf out of Weerasethakul’s slow cinema playbook, as a man must process and reflect on loss after an unexpected death in the family.
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All About Lily Chou-Chou (2001)
A tad overlong, but this coming-of-age, teen angst movie captures with exceptional ambition the pre-social media stan culture with a kind of authenticity, intimacy and raging fervour quite rarely experienced in cinema.
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In the Basement (2014)
S&M aficionados, Nazi sympathizers and more adorn Seidl’s shocking if enlightening tableaux-esque documentary about the bewildering secrets and fetishes that transpire in the basements of Austrian residences.
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