This meta-cinematic, self-reflexive experiment by Assayas is one of his most fascinating films, featuring an alluring Maggie Cheung in latex.
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This meta-cinematic, self-reflexive experiment by Assayas is one of his most fascinating films, featuring an alluring Maggie Cheung in latex.
Arguably Zhang’s masterpiece, this plays out like an opera, at times ceremonial, at times tragic, but always tense and captivating.
A haunting circular tragedy, Zhang Yimou’s tale of passion, lust and angst in rural China is a visual powerhouse.
Zhang Yimou’s greatest achievement comes in the form of this intimate and emotionally devastating through-the-decades account of one Chinese family’s tumultuous existence through the momentous times of the Cultural Revolution.
While it may be rather underwhelming, Herzog’s gentle docu-fiction explores our need to connect with another human being despite the increasing commodification of human experiences in modern societies.
One of the greatest documentaries about the making of a movie ever—and of ‘Apocalypse Now‘ no less.
An abortion drama told introspectively from the perspective of two teenage girls who must chart their own path in this tender third feature by rising filmmaker Eliza Hittman.
This is one of Hitchcock’s crowning achievements where he perfected the picaresque pursuit as a flat-out entertainer.
A stylistic and narrativistic departure for Hitchcock that is anchored by solid performances by Henry Fonda and Vera Miles.