Polished and generally solid, this Cold War movie would rank as one of Spielberg’s good-but-not-great pictures.
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Polished and generally solid, this Cold War movie would rank as one of Spielberg’s good-but-not-great pictures.
Another commanding performance by Daniel Day-Lewis lifts this uncharacteristically slow-paced and talky Spielberg film from being too self-absorbed in its historical importance.
More of a compilation of past concert performances (albeit in stunning audiovisual quality) than a documentary of new insight and depth, this will please and frustrate fans in equal measure.
Not as complete as The Decameron was, this lust-filled, sex-crazed medieval fantasy will probably knock you out with its comic outrageousness.
This is pedagogy as cinema—an unobtrusive and highly-rewarding documentary centering on a veteran teacher and his ethnically-diverse students in a small town in Germany, earning every compelling bit of its nearly four-hour runtime.
A brilliant Isabelle Huppert headlines Chabrol’s true-story WWII drama about French women who had to deal with illegal abortion and prostitution, while bearing the brunt of legal and moral injustices.
Pasolini’s first film in his unofficial ‘Trilogy of Life’ is wildly provocative and blasphemous where religion and sex meet at the crossroads of art.
Arguably Studio Ghibli’s weakest film, Goro Miyazaki’s debut feature is poorly-paced with a story that doesn’t sparkle, despite the beautiful, otherworldly visuals.
Some may find this terribly mawkish, but Spielberg is still the undisputed master of emotional manipulation, and I say this with gratitude, because it reminds me of the magic of moviemaking.
Spielberg’s first animated feature is ‘Indiana Jones’ meets ‘Pirates of the Caribbean’ in one of the year’s most entertaining movies.