This companion piece to ‘881’ is the lesser of the two – craft-wise it is pretty good, but characterisations are much less convincing here.
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This companion piece to ‘881’ is the lesser of the two – craft-wise it is pretty good, but characterisations are much less convincing here.
One of the most crowd-pleasing Singaporean films of the 2000s, Royston Tan’s getai movie is both riotously funny and a tearjerking melodrama.
Royston Tan’s latest would make a strong double-bill with Kiarostami’s ’24 Frames’—a provocative and clever meditation on the ephemerality of mortal existence as captured through the meta-fictivity of his cinema.
Continue reading →An omnibus showcase that very much confirms what we have suspected – Singapore cinema is on another wave of triumph, and this time it shall not decline.