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Eternality Tan

Hailing from Singapore & writing about cinema since 2007

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Featured

Chimes at Midnight (1965)

August 25, 2026August 25, 2026 by Eternality Tan

American Doctor (2026)

August 18, 2026 by Eternality Tan

Time to Live, a Time to Die, A (1985)

August 11, 2026August 11, 2026 by Eternality Tan

Dear You (2026)

August 3, 2026August 3, 2026 by Eternality Tan

My Favourite Films of 2025

August 1, 2026August 1, 2026 by Eternality Tan

Emitai (1971)

July 28, 2026 by Eternality Tan

Exploring #24: Elia Suleiman

July 26, 2026 by Eternality Tan

Odyssey, The (2026)

July 21, 2026July 30, 2026 by Eternality Tan

Good Men, Good Women (1995)

July 14, 2026July 14, 2026 by Eternality Tan

Repo Man (1984)

July 10, 2026July 10, 2026 by Eternality Tan

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Tag / Elia Suleiman

July 26, 2026 by Eternality Tan

Exploring #24: Elia Suleiman

  • Exploring, Suleiman, Elia, Writings
  • Elia Suleiman
  • Leave a comment

‘Exploring’ features the filmographies of filmmakers that I’ve largely completed and celebrates them on the week of their birthdays.

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June 30, 2023June 9, 2026 by Eternality Tan

Chronicle of a Disappearance (1996)

  • Suleiman, Elia
  • 1996, Elia Suleiman, Israel, Palestine
  • Leave a comment

Suleimanโ€™s strong debut has everything that we have come to know about his vignette storytelling style, which houses a mildly humorous if sometimes wistful take on the loss of Arab identity in Israel. 

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Rating: 4 out of 5.

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March 27, 2020 by Eternality Tan

Divine Intervention (2002)

  • Suleiman, Elia
  • 2002, Elia Suleiman, Palestine
  • 1 Comment

At times jaw-droppingly hilarious, Elia Suleimanโ€™s absurdist work here rightfully makes light of the fractured Israeli-Palestinian relations through a series of increasingly outlandish scenarios.

โญโญโญโญ

Rating: 3.5 out of 5.

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September 5, 2019June 9, 2026 by Eternality Tan

It Must Be Heaven (2019)

  • Suleiman, Elia
  • 2019, Elia Suleiman, Palestine
  • 3 Comments

This droll, sometimes utterly amusing comedy of sight gags, makes certain sharp socio-political observations, but is ultimately too slight and inconsistent a film to really work.

โญโญโญโญ

Rating: 3.5 out of 5.
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