Not a great film by any measure, this oddly-structured dramatization and investigative inquiry into the ‘Miracle on the Hudson’ incident is a mildly-affirming work by Clint Eastwood.

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A contemporary war film with such generic, by-the-numbers treatment that while assuredly directed by Eastwood, doesn’t feel interesting enough. 

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One of Clint Eastwood’s better efforts, this well-performed drama about the 1996 Atlanta bombings is efficiently told with just the right amount of sentiment.

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Clint Eastwood’s weakest in a long while, but it still remains fairly engaging because of the strength of Leonardo DiCaprio’s singular performance.

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A weaker effort by Clint Eastwood that operates at a sluggish pace and tries a tad too hard to be a life-affirming and contemplative film.

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Nelson Mandela and the South African rugby team compete for storytelling attention in Clint Eastwood’s decent sports biopic.

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It may not be one of Eastwood’s most complex films, but it is a decent piece on seeking a purpose in life and being open to differences.

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