Nuns of all kinds—caring, sadistic and lesbian—adorn Rivette’s controversial and sardonic sophomore feature about the ironies of religious faith, built around arguably Anna Karina’s most enigmatic performance.

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Rivette’s quaint adventure featuring two women—one an ex-con, the other a vagabond—navigating the streets of Paris is a freewheeling if also meandering look at how crime is a game of chance and consequence.

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