Angelina Jolie plays Maria Callas admirably in Larrain’s elegantly shot biopic about the troubled final days of the famous opera singer, though it somewhat suffers from a contrived script.
Continue reading →
Angelina Jolie plays Maria Callas admirably in Larrain’s elegantly shot biopic about the troubled final days of the famous opera singer, though it somewhat suffers from a contrived script.
Iwai captures vividly the feeling of being nowhere and everywhere at once as his chaotic, genre-blending work of linguistic pluralism explores marginalised lives chasing their rags-to-riches story in an alternative-future Japan.
Lynch’s feature-length prequel to his ‘Twin Peaks’ series is a psychedelic head trip into the lower rungs of hell, backed by an extraordinary if unexpectedly emotional performance from Sheryl Lee, as the narrative traces the final days leading up to her character’s demise.
Featuring an exceptional performance by Kieran Culkin, Eisenberg writes, produces, directs and stars in this unassuming comedy-drama that was shot primarily in Poland, about two incompatible Jewish cousins on a Holocaust tour to remember their late grandmother.
This neo-noir thriller is a terrific feature debut by the Wachowskis, with its careening twists and turns, and upending of gender codes, as two women must work out a survival plan after an opportunistic ‘heist’ gone wrong.
The 12th edition of my annual Oscars prediction contest is back!
I will share my predictions on the weekend of 28 Feb to 2 Mar. The Oscars will happen on Mon 3 Mar, 8.00am (SGT).
Instructions:
How to win:
If you win, you can pick one of the following prizes:
Here are the 23 categories in contention:
Have fun and good luck!
One of the most beautifully shot movies ever made, Tarsem Singh’s modern cult classic is an ‘elegiac epic’, an intertwining of two sets of narratives about the endless imagination and despair that the human mind can experience.
Some centuries-old Beninese treasures are returned by France, sparking debate over its neocolonial political posturing sublimating as cultural diplomacy as Diop’s quaint Berlinale Golden Bear-winning documentary highlights the dissonances inherent in this ‘homecoming’.
Wright’s over-the-top, parodic, buddy cop action-comedy is ‘pop’ confetti cinema in pleasing, anything-goes mode, as a police sergeant reassigned to a sleepy countryside town must contend with a spate of gruesome murders.
To some degree an anti-blockbuster par excellence, this much maligned sequel sees the infamous villain navigating a new and treacherous psychological terrain, packaged as an unorthodox if imaginative musical-cum-courtroom drama.